Wednesday, August 27, 2008

IHH OFFICIAL VBULLETIN BOARD
















IHH is going Vbulletin,now u can discuss hip hop all day ,while downloading all the latest albums,tracks,mixtapes,and have a dose of the xxx section the site is currently being worked on to have the best features vbulletin can provide,including your own personall blogs ,arcade and so many other features,
stay tuned.As of now the official release date is Auguest 29th but that may change due to giving the board more features and installing them correctly.

Thursday, August 14, 2008

Team USA gets revenge


























BEIJING (AP)—It’s official now. This is NOT Japan and the 2006 World Championships, not to mention Athens and the 2004 Olympics.

This is Beijing and the 2008 Olympics, and the U.S. is back in men’s basketball.

These Americans, who looked so lost two years ago in Japan, appear to have found their Olympic way in China.

Batting away balls or swatting shots on seemingly every possession late in the second quarter, the Americans broke open a close game and went on to a 92-69 victory Thursday night to clinch a spot in the medal round.

“We played like we wanted to win. We played together,” U.S. guard Dwyane Wade said. “We were very aware of their offensive sets, we were very aware of their personnel and we played like that. So we were kind of a step in front of what they wanted to do because we kind of knew everything already.”

The Americans were also able to find the range on jump shots when the Greeks went to a zone defense to slow them down. Kobe Bryant, who entered the game shooting just 37 percent in the first two games, was 7-for-14 from the field and finished with 18 points.


Chris Bosh also had 18 points, Wade added 17 and LeBron James had 13 for the United States (3-0), which moves on to a matchup of Group B unbeatens Saturday night against world champion Spain. The winner will earn the group’s top seed for the quarterfinals.

Greece stunned the Americans two years ago in the semifinals of the 2006 world championships, shredding the U.S. defense for 63 percent shooting with clinical execution of its pick-and-roll offense in a 101-95 victory.

“We wanted to really keep the pressure on them. We wanted to kind of redeem ourselves,” Bosh said. “This was kind of like a payback game for us and we knew that people were wondering how we were going to respond, so we tried to play a solid game and stay on them the whole game.”

The Americans counted 42 possessions on tape in which the Greeks ran the pick-and-roll, so they spent much of their game plan on scheming to stop it.

This time, the Greeks hit just 41.3 percent (26-for-63) from the field and just 4-for-18, 22 percent, from 3-point range as the Americans used a suffocating defense to extend a seven-point lead to a 19-point cushion in the final 51/2 minutes of the first half.

“Any time you get beat it’s embarrassing and that’s enough,” Bosh said. “And we can really use that as a tool to help us with our defense now, and that’s the name of the game. Because if you play good defense, no matter how you’re shooting the ball you’re going to be in the game.”

The Americans’ defense failed them at the 2004 Athens Olympics. The U.S. finished 5-3 and gave up an average of 91.6 points per game in the three losses. The disappointing showing was the impetus that led to the three-year training this squad underwent to prepare for these Summer Games. This is not just a roster of NBA All-Stars, these players feel a part of a team.

Thursday night Theo Papaloukas led Greece with 15 points, but like China and Angola before them, the Greeks stayed close for about 11/2 quarters before the Americans’ depth and athleticism blew open the game.

After the previously slumping Bryant finally knocked down a 3-pointer, James blocked a shot that led to Bosh’s three-point play for a 44-30 lead with 2:31 remaining in the second quarter. James came up with a steal less than 30 seconds later and threw down a reverse dunk.

Bosh swiped at a ball that led to another Greece turnover, and James found him on the next possession for another three-point play and a 49-30 bulge. The Greeks then turned it over again, with James keeping his balance while nearly falling down to take an outlet pass and convert a layup, and Bosh blocked the final Greek shot of the half to make it 51-32 at the break.


The United States had 12-point lead in the game in Japan two years ago before handing it over with its sloppy defensive effort. The Americans came out much sharper this time, with Jason Kidd picking up three fouls in the first 1:25 while aggressively defending, and Bryant guarding Vasileios Spanoulis, the top Greek scorer.

Spanoulis scored 14 points but shot just 4-of-13.

And after stubbornly sticking to what wasn’t working in the game two years ago, the Americans showed the Greeks different looks this time. They picked up full court on one early possession, then fell back into a zone defense on another.

“We came out here and did what we had to do. From the beginning to the end, we did that,” Carmelo Anthony said. “From the beginning of the game, we felt different, the pace of the game, the way we approached this game mentally, we really wanted to get out from the jump ball.

Unlike their easy victory against Angola two nights earlier, the Americans kept up the defensive intensity after halftime. Dwight Howard smacked away a shot right into Kidd’s head, leading to a shot clock violation, and James and Bosh had rejections on the same third-quarter possession a few minutes later.

The Americans still struggled from the free throw line and 3-point arc. They were 7-of-20 on 3s and just 13 of 23 at the line.

Greece (1-2), which lost to Spain in its opener, faces winless Angola before closing pool play against China.

“If you play with teams like the United States, it makes the team a lot better in our technique and conditioning,” Greek coach Panagiotis Giannakis said.

Wednesday, August 13, 2008

Mick Foley Headed To TNA Next Month?































The Sun out of the UK is reporting a close friend of Mick Foley has informed them that the hardcore icon is headed to TNA Wrestling when his WWE contract expires on September 1st.

Foley’s friend told the Sun, “Mick's body cannot handle a full time schedule, even in TNA. But he's hell bent on doing everything he can to further his legacy and put them on the map.

The friend added, "Mick's plan is to wrestle select dates, like Sting currently does. He feels he will legitimately make a big difference in the way TNA Wrestling is perceived by the public!”

Back in 2005, Foley was in talks wih TNA and was very close to signing with the company before he wound up back in WWE. He did not work this week's SmackDown! tapings.

ALBUM OF THE DAY :Shwayze - Shwayze




















Track Listing:                                                              |
| |
| 01 - Roamin' 03:37 |
| 02 - Lazy Days 03:38 |
| 03 - Corona And Lime 03:56 |
| 04 - Buzzin' 03:32 |
| 05 - Don't Be Shy 03:08 |
| 06 - Hollywood 04:17 |
| 07 - Polaroid 04:47 |
| 08 - James Brown Is Dead 03:15 |
| 09 - Lost My Mind 03:22 |
| 10 - Mary Jane 03:48 |
| 11 - Lazy Susan 03:57 |
| 12 - Flashlight feat. Dave Navarro 04:31 |
| 13 - Bonus Track 03:20 |
| |
| ----- |

| 49:08 min

http://link-protector.com/562313/

WDF?'Mamma Mia!' Leaps To No. 1 On The Billboard 200















It took five weeks, but the ABBA-driven soundtrack to "Mamma Mia!" has ascended to the summit of The Billboard 200 for the first time. Moving 130,000 copies in the U.S., according to Nielsen SoundScan, the Decca effort climbs 3-1 and becomes the second soundtrack this year to take No. 1, behind Rhino's "Juno" soundtrack in January.

The film soundtrack to "Mamma Mia!," which features actors like Meryl Streep, Amanda Seyfried and Pierce Brosnan belting out ABBA favorites, also crowns Top Internet Albums and Top Soundtracks, while the original cast recording of the stage musical continues its reign on Top Cast Albums for a third week.

The last year two or more soundtracks earned the top spot on The Billboard 200 was in 1998, when "Titanic," "City of Angels" and "Armageddon" all had their turn at No. 1.

ABBA has never had a top 10 album on the Billboard 200; the Swedish pop act's highest charting set is 1978's "The Album," which peaked at No. 14. However, the group is No. 1 on Top Pop Catalog albums with its greatest hits package "Gold," which jumps 37% to 33,000 copies.

Miley Cyrus' "Breakout" (Hollywood) sits at No. 2 on The Billboard 200 for a second week after a 37% sales decrease to 102,000 copies. Last week's chart-topper, Sugarland's "Love on the Inside" (Mercury Nashville), falls to No. 3 with 91,000, a 47% sales slide, while Kid Rock's "Rock N Roll Jesus" (Atlantic) takes a 6% sales hit to 90,000 and holds steady at No. 4 for a third week.

Lil Wayne's "Tha Carter III" remains at No. 5, also for a third week, after selling 67,000 (-15%). Despite a 21% sales loss to 55,000, Coldplay's "Viva La Vida or Death and All His Friends" (Capitol) climbs a notch 7-6.

R&B star Lloyd's third album, "Lessons in Love" (The Inc./Universal Motown), is this week's hottest debut, bowing at No. 7 with 51,000. His last set, 2007's "Street Love," began at No. 2 with 144,000.

The Jonas Brothers-led soundtrack to Disney's "Camp Rock" ascends 9-8 with 47,000 (-18%). Rihanna's newly reissued "Good Girl Gone Bad" climbs back into the top tier 12-9 on a 18% sales surge to 44,000; the album likely picked up steam from the latest single "Disturbia," which climbed 4-3 on the Hot 100 with a bullet last week.

Former Trick Pony vocalist Heidi Newfield's Curb solo debut "What Am I Waiting For" lands at No. 10 with 34,000. The album also lands at No. 2 on Top Country Albums.

Another country artist, Keith Anderson, notches his highest charting album and best sales week with the Columbia effort "C'mon!," which debuts at No. 12 on The Billboard 200 with 32,000. His last offering, 2005's "Three Chord Country and American Rock and Roll," debuted and peaked at No. 77.

Bright Eyes frontman Conor Oberst's self-titled solo debut for Merge begins with 29,000 at No. 15. Moving 25,000 copies, Eleven Seven rock act Trapt's third studio effort "Only Through the Pain" bows at No. 18. The second volume of "Total Dance 2008" (Thrive/Red) bows at No. 21 (23,000) and features Stryker's remix of hits like Katy Perry's "I Kissed a Girl" and Missy Elliott's "Shake Your Pom Pom."

Other debuts this week include Hawthorne Heights' "Fragile Future" (Victory) at No. 23 with 20,000, country singer Jamey Johnson's "That Lonesome Song" (Mercury Nashville) at No. 28 with 17,000, rock act Norma Jean's "Anti Mother" (Tooth & Nail) at No. 29 with 16,000 and Randy Newman's "Harps and Angels" (Nonesuch) at No. 30, also with 16,000.

At 7.16 million units, sales this week are down 2.7% from last week's sum and down 10.9% from the same week last year.

Tuesday, August 12, 2008

The Rock Dating A Rock Star's Daughter



















former WWE star Dwayne "The Rock" Johnson was recently spotted on a beach with a bikini-clad woman by the name of Lauren Hashian. She is the daughter of original Boston drummer Sib Hashian (which is freakin' INCRDIBLE, 'cause Boston owns).

According to BostonHerald.com, she is 24 years old and was a finalist on the UPN reality show, R U the Girl back in 2005. She is a budding singer who met Johnson when he was in Boston shooting The Game Plan two years ago.

According to the website, the two were regulars at an Italian restaurant called Davio's during the shooting of the Disney flick two years ago (Johnson was still married at the time as he didn't announced a separation from his wife of 10 ten years, Dany, until June 2007; the film was shot in Boston in the fall of 2006). Hashian brought Johnson to her Lynnfield, MA residence for dinner to meet the parents. Hashian has since moved to Los Angeles to further her music career

Producer sues Vanessa Hudgens for $5 million














LOS ANGELES - A music producer has sued Vanessa Hudgens for $5 million, claiming the actress and her father have repeatedly violated a contract and failed to pay him his share of her earnings.

Hudgens, one of the stars of Disney's successful "High School Musical" series, entered into an agreement with producer Johnny Vieira when she was still a minor, the lawsuit, filed in Los Angeles Superior Court on Monday, states. Vieira claims Hudgens and her father, Greg, sued to get out of the agreement, but have also failed to abide by settlement terms.


An e-mail message seeking comment from Hudgens' publicist wasn't immediately returned Tuesday morning.

Vieira is described in the lawsuit as a songwriter and music producer who was "engaged in the business of discovering and developing artists in the music industry" when he entered into an agreement with Hudgens in 2005.

That agreement, Vieira states, called for him to equally share in advances, royalties and merchandising from Hudgens' career.

That was before she landed a starring role in "High School Musical," which is scheduled to release its third installment later this year. She has also released a pair of solo albums.

Vieira claims an audit turned up at least two instances where he is owed money, and that Hudgens, 19, has refused to pay him.

He is also suing Greg Hudgens for defamation, claiming he sent an e-mail to others that accused Vieira of being a "predator."

Hudgens was sued last year by a lawyer who claimed she owed him $150,000. Court records show the lawsuit was settled in January, about a month after a judge ruled that case could go to trial.

Yung Berg Arrested On Drug, Menacing Charges


Rapper Yung Berg was arrested last Saturday (Aug. 9) in New York after police responded to a limo driver's complaint about a dispute with the 22-year-old rapper and another passenger, Cornell Whitfield. The Chicago native's next court date is set for Thursday.

Yung Berg, born Christian Ward, was charged with menacing in the 2nd degree and unlawful possession of marijuana, while Whitfield was charged with criminal possession of a weapon in the 2nd degree and two counts of menacing in the 2nd degree, according to Jennifer Kushner, spokeswoman for the District Attorney's office.

According to reports, two bags of marijuana were recovered from Ward, while a .45 caliber semi-automatic pistol, which was loaded with approximately 10 rounds of ammunition, was found on Whitfield's waistband. Bail and bond was set at $2,000 for Ward and $2,500 for Whitfield.

Ward's attorney, Robert Kalina, says "a number of media reports have been inaccurate" about the arrest, but declined to reveal specifics other than to say, "this unfortunate incident is now a legal matter being clarified and resolved by the authorities."

Yung Berg's new Epic album, "Look What You Made Me Do," hit stores today. The single "The Business" featuring Casha, is currently at No. 9 on the Hot Rap Tracks chart and No. 13 on the Hot R&B/Hip-Hop Songs tally

Ten Top-Earning Celebrity Chefs























Say what you will about Rachael Ray, but the jaunty chef-next-door knows how to build a brand.

She began winning audiences with catch phrases like "EVOO" (for extra-virgin olive oil) on her first Food Network show, 30 Minute Meals, in 2001. Today, she has four Food Network programs, including Tasty Travels and $40 a Day. Her nationally syndicated, Oprah-backed talk show, Rachael Ray, is averaging 2.6 million viewers this season, and her Every Day With Rachael Ray magazine has 1.5 million readers. She endorses Dunkin' Donuts too--all to the tune of $18 million a year.

More established chefs also know how to play her game. Wolfgang Puck pulls in $16 million a year. The Austrian-born patriarch of celebrity chefdom got his start with the ritzy Los Angeles restaurant Spago in 1982. That hot spot, once frequented by Orson Welles and Sidney Poitier, now counts Brad Pitt and Jamie Foxx among its regulars. Today Puck owns 15 other fine-dining brands, including Chinois, Cut and the Source, and he also sells sandwiches to weary airport travelers at Wolfgang Puck Express. He's got Wolfgang Puck Bistros in suburbia and sells soups in the grocery aisle and cutlery on the Home Shopping Network.


In Depth: Top-Earning Celebrity Chefs

Others of their sort include Paula Deen ($4.5 million), Alain Ducasse ($5 million) and Mario Batali ($3 million).


Ducasse's empire includes 22 restaurants from Tokyo to Paris. The French chef's first New York spot shuttered in 2006 after critics said the food was too fussy; he opened two humbler joints there this year.

Deen, the queen of Southern cuisine, serves up butter-drenched casseroles and motherly charm on two Food Network shows. Her loyal audience laps it up, and her cookbooks, memoir and magazine are all bestsellers.

And Batali, a culinary school dropout, is now a master of Italian cuisine who owns 13 restaurants in New York, Los Angeles and Las Vegas. Reservations at his New York spots Babbo and Del Posto are especially hard to get.

Monday, August 11, 2008

ALBUM OF THE DAY :HELL RELL -BLACK MASK BLACK GLOVES




















 01. Intro (Black Gloves)                                         02:14
02. Get Ready 03:55
03. Take An Oath 03:10
04. Think Of A Problem 03:38
05. Come On Baby Girl 02:41
06. Realest Nigga Doin' It 03:25
07. True Colors 03:05
08. I Luv Stuntin' (feat. Sen) 03:22
09. What Up? (feat. J.R. Writer) 04:25
10. Push 'Em Back 03:48
11. Rumors 03:08
12. Million Dollar Plan 03




http://www.sendspace.com/file/cuoa0y

Bernie Mac Public Memorial Set for Saturday




















A public memorial for late comedian Bernie Mac who died Saturday at age 50 of complications from pneumonia will be held Saturday in Chicago.

Services are scheduled for noon in the 10,000-seat House of Hope at 752 E. 114th St.

Donations in Mac's honor may be sent to:
The Bernie Mac Foundation for Sarcoidosis
40 E. 9th St., Suite 601
Chicago, IL 60605.

Ironically, Mac and Isaac Hayes (who died at age 65 on Sunday) were to appear in Samuel L. Jackson's upcoming film Soul Men.

Both were to play former soul singers who haven't spoken in 20 years and agree to travel cross country to attend a reunion concert at NYC's Apollo Theatre.

Mac's sudden passing shocked fans over the weekend. Though the comedian's family initially expected him to recover (he had been hospitalized since July 24), his daughter Je'niece Childress tells the Associated Press that "as the weeks went on, I kind of knew" that was unlikely.

A day after Mac's passing, Hayes was found unresponsive near an exercise machine at his Memphis home.

A cause of death is still being determined, though it has been reported that he most likely died of natural causes.

Yao has delivered, now it’s China’s turn



























BEIJING – On his way out of the game, Yao Ming thrust his fist through the air, and soon made that long, wobbly walk to the Chinese bench. The end of a brilliant and historic night for basketball, the end of responsibility for Yao. His work is done. Let him rest.

“The game was a treasure,” Yao said, “and it will be a treasure for the rest of my life.”

Here was a surreal sight on Sunday night in these Olympic Games. Here was the embodiment of Yao Ming’s legacy: His heart, his determination, his immensity. He made possible a billion people worldwide watching a basketball game on television. He made possible these blistering ovations and rock-star treatment the U.S. players receive here. He made possible the hundreds of millions of dollars that David Stern can generate here.


And above all, Yao gave China its Olympic flag-bearer and iconic athlete to frame the most important engagement it’s ever had with the world.

“Yao built the bridge for all of us,” Kobe Bryant said.

To watch Yao limp and flail and double over to breathe was to understand the reasons with which his sense of obligation brought him back so soon from another broken foot, another surgery. For Yao, this is his life’s lot. For his own preservation, his own crack at a career undiminished, he needs to tell a most unrelenting Chinese sports machine that its days of running him into the ground are gone.

No more summers with the national team in non-Olympic years, no more of the treatment that’s breaking down his body. The sport’s never seen an athlete of his size who is so skilled, so agile. His lower body has crumbled under the burden, with two broken feet, a broken leg and an infected toe. It breaks your heart to watch what has happened to him. As much as anyone, his body needs rest and recovery. The pounding has taken a terrible toll on him.


They will continue to pressure him,” one high-ranking international basketball official said of Chinese officials. “The one thing they do with all of their athletes is drive them into the ground with training. The strongest survive. If you don’t, they’ll find another to come and do it.

“I mean, they don’t do little things like block out good airline seats for them when they travel. They can all be in middle seats in coach for all they care, and that’s how Yao travels with them. Whatever happens with his injuries, they’re going to insist that he keeps playing for them.”

The Chinese government had monitored his birth because of the perfect physical and athletic genes of his parents, forever treating him as something of a science project. Yet there’s nothing robotic, nothing programmed, about him. He has such humanity, such a sense of grace and honor. Over time, you can slowly see him assimilating into more of a Western mindset. He has things on his mind. Yes, he has plenty of opinions. It just isn’t his culture’s way to share them.

Poor Yao. The Rockets traded for the tempestuous Ron Artest and Yao’s reaction was perfectly appropriate. What he wanted to know, he said, was if Artest was done pummeling fans in the stands. Essentially, it was his way of asking: Will this clown ever get it right? Fair question, but the surprising bite to his words created a reaction that immediately sent Yao scurrying to make public and private apologies.

Yao showed a little edge, and he needs to do it again. After these Games, he needs to use the leverage of his popularity, his earning power in China and tell the regime that he’s done with the grinding national team calendar. Tell them that they’ll see him in 2012 in London, and that if they leave him alone, maybe he’ll make it there as an elite player.

When Yao crumbled with a stress fracture, necessitating the fourth surgery on his lower body in the past two years, his old Houston Rockets coach Jeff Van Gundy pleaded that Yao – or someone close with a willingness to be the bad guy – has to learn the word “No.”


Still, Yao gives China its biggest star in these Olympics. Here, everything is about saving face, and the under-manned Chinese did that with a respectable showing. Yao missed seven of 10 shots and spent so much of his night crumpled over, holding his shorts, gasping for breath. He gave them one moment, though. Before the U.S. turned its Pool B game into a dunking line, Yao started it all. Of all things, he backed behind the three-point line and delivered the game’s first basket. Such a roar in this jammed building, such a poetic moment. After all, Yao has always defied range and reach.

“I felt honored to be there watching that,” U.S. point guard Chris Paul said. “It felt like a storybook when he hit that shot.’

So yes, everybody has made a killing on Yao Ming and he is tired and beaten and owed something here. Owed big. No one ever came to the NBA with his hype and pressure, with so many people openly pulling for him to be a flop. He was a mysterious figure out of the Far East and he felt like a threat. Now, everyone understands: The NBA needs Yao, the way China does. Only, he counted on them looking out for his best interests. They’ve bled him dry. His time, his turn now.

For once in his life, Yao needs it to be about him. He’s never going to lose face, but he could have his career cut far too short. Whatever’s happened, Yao must tell China’s government: Enough is enough – we’re even.

New Material Could Make Objects Invisible
















Scientists have taken another step toward the goal of rendering objects invisible using high-tech cloaks that redirect light.


Researchers for the first time demonstrated that a new material can bend visible light the wrong way in three dimensional tests. It builds on research that cloaks objects in the microwave wavelength.

The research, announced today, will be detailed later this week in the journals Nature and Science.

The metamaterial, as it is called, produces what's known as negative refraction of visible light. That means light is made to travel in the opposite direction from how it normally should bend when passing through a material. A common example is how a pencil will appear to bend upward when half-submerged in a glass of water. In the new work, researchers make the light appear to bend the other way.

Metamaterials are artificially engineered structures that have "extraordinary optical properties that do not exist in nature," the researchers write in Science. "They can alter the propagation of electromagnetic waves, resulting in negative refraction, subwavelength imaging and cloaking."

Visible light is just one type of electromagnetic radiation, a spectrum that includes everything from radio waves to X-rays and more.

Until now, the effectiveness of the cloaking has been demonstrated only in thin, two-dimensional materials.

Now at a National Science Foundation lab at the University of California, Berkeley, Jason Valentine, Jie Yao, Xiang Zhang and others have create a multilayered, "fishnet structure" that "unambiguously exhibits negative refractive index," they write.

"This straightforward and elegant demonstration enhances our ability to mould and harness light at will," according to a statement from the journal Nature.

Other research has looked into using plasmons - tiny electronic excitations on the surfaces of some metals - to cancel out the visible light or other radiation coming from an object and effectively cloak it.

Sci-fi fans know that cloaking technology made Romulan spaceships disappear in Star Trek. Among the real applications pondered for the future of real-world cloaking technology: stealth military devices and new medical techniques.

OH SNAPS SON:LIL WAYNE CANT BE STOPPED

























Lil wayne just might become the best artist of 2008,After his most anticipated album
The Carter III has been certified 2x Platinum
and stil remains in the top 10 bill board 200 albums and holding his own with his latest buzz single A Milli which remainds at number 6 on the billboard Hot 100 tracks,Not even G-units own 50 curtis jackson would be able to stop the cashmoney millioniare lil wayne,since lil waynes new album out sold 50 cents last effert.Some kids just found out about wayne since he dropped lolli pop which will be known as the song of 2008,Lil wayne has been rappin for over 10 years with such hood joints as,bling bling,the block is hot,back that azz up,so hes a vet and everybody wants him on there record,if u wanna look at how many features lil wayne has been on in the past 5 years u will be amazed at the last but not least talent of cash money records,which will put that record on the map for another 10 years garenteed,The question of the year is can lil wayne do it Again? will his next album be as popular or are we talking about 15 minutes of fame?

RUTHLESS REBORN AGAIN


Let's hitch a ride on the music time machine back to the year 1987. Whitney Houston, Madonna and Michael Jackson rule the No. 1 hit parade on the pop charts, along with rockers U2, Bon Jovi and Bob Seger. In control on the R&B front are Jackson again, baby sister
Janet, Luther Vandross and Lisa Lisa & Cult Jam.

Still in its formative years, rap is mostly an East Coast happening. Eight years have elapsed since the Sugarhill Gang rhymed its way to commercial success in 1979 with "Rapper's Delight." And it's three years since Afrika Bambaataa and Soul Sonic Force landed on "Planet Rock."

Now rapper LL Cool J has nabbed his first No. 1 single—"I Need You"—just a year after Run-D.M.C. stepped up its legacy with top 10 singles "My Adidas" and "Walk This Way."

It's in this climate that co-founders Eric "Eazy-E" Wright and music industry veteran Jerry Heller decide to launch rap label Ruthless Records. Little did anyone know that the upstart indie would put West Coast and gangsta rap on the map, let alone house a stable of gold- and platinum-selling acts, among them pioneering rap group N.W.A. (Niggaz With Attitude).

But Trans World Entertainment director of urban music Violet Brown says, "Eric knew, the DJs knew, and I knew too." Brown's friendship with Eazy-E dates back to the late '80s when she was a DJ shopping for 12-inch singles at the Roadium swap meet in nearby Gardena, Calif. It was here that she met Eazy-E, who was hosting mixtape cassettes being sold by DJ Steve Yano.


"Eric would kind of host these tapes, throwing in lyrics between songs," Brown recalls of the Compton, Calif., native and one-time drug dealer. "I think that's how people first got to know him. I saw him become more and more popular through these tapes."

Ruthless began with $7,000 of Eazy-E's own money and 5,000 12-inch copies of his single "Boyz N the Hood." It was written by C.I.A. rapper Ice Cube who, along with World Class Wreckin' Cru DJs Dr. Dre and Yella, had switched allegiance from Kru-Cut Records to Ruthless. Distinguished by Eazy-E's high-pitched voice, "Boyz" sold more than 500,000 copies throughout South Central L.A., according to label figures. Between that record and "Supersonic," a 1988 R&B/pop gold single by female rap group J.J. Fad (Just Jammin' Fresh and Def), Ruthless Records was on its way.

But things really began to click in 1988 with the release of N.W.A.'s "Straight Outta Compton." The seminal five-man crew—Eazy-E, Dr. Dre (who produced J.J. Fad), Ice Cube, MC Ren and DJ Yella—came together in 1987, managed by Eazy-E's label partner Heller. The group first attracted aural attention on the Ruthless compilation "N.W.A. and the Posse." Issued by Macola Records in 1987, the album featured future Ruthless solo star the D.O.C.

"At this time," Brown says, "people were putting out their own records but selling them out of their car trunks instead of going after major distribution. But Eric and Jerry got distribution through Priority and took things to a bigger level."

Established in 1985 by former K-tel executives Bryan Turner, Mark Cerami and Steve Drath, Priority Records' most recent claim to fame had been the California Raisins' platinum-selling cover of "Heard It Through the Grapevine." On the surface, the Raisins and N.W.A. might not seem like ideal labelmates. But youth and naiveté paid off.

"I think back and realize that we were incredibly naïve and young," Turner recalls of hearing the incendiary single "Fuck Tha Police" and deciding to distribute N.W.A.'s "Straight Outta Compton." The record, considered by many as pioneering the subgenre of gangsta rap, unflinchingly depicted inner-city youth's anger at police brutality, racial profiling and other social ills.

"I'd known Jerry for years," Turner continues. "We worked in the same building. Mark [Cerami] and I knew ‘Fuck' would scare some people. We were young and had nothing to lose. But never in a million years did we think we'd get a letter from the FBI castigating us for putting out that kind of music. It's not like we were starting a revolution and distributing arms. It was words. Then [the] Rodney King [incident] happens. It was kind of scary how prophetic the song turned out to be."

Amid damning critiques, lack of radio airplay and parental advisory stickers, the album went on to sell double-platinum, followed by Eazy-E's own multiplatinum solo debut, "Eazy-Duz-It." During the next five years, Ruthless produced a series of gold- and platinum-selling albums encompassing R&B, pop and rap by such acts as Michel'le, the D.O.C., Above the Law and MC Ren.

The one thing most people didn't know about Eazy-E, Turner says, was his business savvy. "I think overall he was incredibly underrated when it came to the business side of the industry. He was the brains behind the marketing approach: All the artwork, T-shirts, logos . . . all that was him. He would be in my office every day talking about marketing."

After Ice Cube left the group in 1989 over royalty disputes, Ruthless released another N.W.A. album, 1991's "Efil4zaggin" ("Niggaz4life" spelled backward). Beyond it being the group's final project, it also ushered in the Nielsen SoundScan era, copping No. 1 its first week out and further cementing the Ruthless legacy.
"I don't think anyone truly paid attention until SoundScan hit," Brown says. "When the SoundScan chart arrived with real numbers and N.W.A. was No. 1, a gangsta rap group from Compton? That was the wake-up call. That's when people said, ‘Oh, my God. Rap is selling a lot of units.' "

Ending its distribution pact with Priority in 1992, Ruthless was later distributed by Relativity Records, which, in turn, was folded into parent company Sony Music and launched as RED. With Dr. Dre, the D.O.C. and Michel'le exiting Ruthless for Death Row, Ruthless bounced back in 1994 with innovative Cleveland rap group Bone Thugs-N-Harmony beginning with the group's No. 2 R&B-charting debut album, "Creepin On Ah Come Up."

"Everyone was counting him out," group member Bizzy Bone recalls. "Then he found us, a new group with a new flavor: four brothers in braids and sagging jeans harmonizing." Bone Thugs-N-Harmony, whose members have had a stormy personal and legal history, announced a reunion of the original members in June. Their upcoming untitled project will likely be released on Interscope, which signed the group in 2006.

"[Wright] was always looking for other artists," Brown says. "He told me he wanted Ruthless to be a Motown; to be around for a long time. And not just stay with hip-hop. He was definitely starting to listen to different types of music."

National air personality Felicia "Poetess" Morris (of Jamie Foxx's "The Foxx Hole") agrees. "He was a visionary, looking at signing rock groups and Latin artists," says Morris, who met Eazy-E in the early '90s when she was an artist on Interscope. "He always wanted to do it his way; he never sold out. Eazy-E planted the seed for what you see today with a lot of these indie empires."

Eazy-E's untimely death from AIDS in 1995, however, precluded him from pursuing his vision or seeing Billboard name Ruthless the No. 1 independent label in 1996 and 1997. Or watching a Ruthless act pick up its first Grammy Award when Bone Thugs-N-Harmony was awarded best rap performance by a duo or group in 1996 for No. 1 R&B/pop single "Tha Crossroads" from second Ruthless album "E. 1999 Eternal."

"Ruthless made an incredible impact on the business," Brown says. "Eric put gangsta rap and West Coast rap on the map. And look at the offshoots: Dr. Dre becoming one of the industry's biggest producers; Ice Cube making movies. A lot came from little Eazy-E and Ruthless."

"Ruthless was the first label to show that a rapper or rap group could control a lot of their own destiny in terms of making and releasing a record," Turner adds. "And that's a lasting legacy today."

Thirteen years after Eazy-E's death, Tomica Woods-Wright is keeping the promise she made to her husband. "Even in his last days," she recalls, "he was telling me, ‘I know it may be a burden. But whatever you do, keep it going for as long as you can.' "

Earlier this year, Woods-Wright announced that in celebration of Ruthless' 20th anniversary, the label is gearing up five new acts slated for release between now and the end of the year. In keeping with Eazy-E's multigenre vision, the roster includes R&B singer/songwriter Na'Shay, bilingual pop singer/musician/actress Agina, rapper/songwriter/producer Hopsin, party/dance trio Street Runnaz Click and rapper Stevie Stone. Their albums will be released through a recently renegotiated pact with RED.

"It's been difficult at times since Eric's death, but it's been worth it," Woods-Wright says. "We have a strong, groundbreaking mix here that represents the next generation. Eric wasn't a quitter. He believed in riding a project until the wheels fell off and if they did, then he always said he'd carry it. This company was—and is—him."

EAR TO THE STREETS"TOP DOWNLOADED JOINTS






Top music downloads

1. Take a Bow, Rihanna

2. I Kissed a Girl, Katy Perry

3. A Millie, Lil Wayne

4. Get Like Me, David Banner

5. Put On, Young Jeezy

6. Got Money, Lil Wayne

7. Lollipop, Lil Wayne

TiVo favorites

1. So You Think You Can Dance, Thurs.

2. So You Think You Can Dance, Wed.

3. America's Got Talent

4. Big Brother 10, Thurs.

5. Big Brother 10, Sun.

Yahoo! yardstick

1. Victoria Gotti

2. Melissa Lawson

3. Brangelina baby pix

4. Bernie Mac

5. Fab Five: The Texas Cheerleader Scandal

Most downloaded videos

1. Telephone piano

2. Coldplay's "Viva La Vida"

3. "Disaster Movie" trailer

4. Miley Cyrus "7 Things" spoof

5. McCain's "Bimbos" ad

6. Gina Michaelis in concert

WORD Top 10 yahoo searches

Top Searches

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It looks like the Trajic,death of the legend bernie mac really got alot of people
thinking about actor/comedian,Whose last movie was oceans 13,Bernie mac,died to young and he will be missed,go rent acouple of dvds and let the mac attack never die,

Album of the day


DJ_Semi_And_The_Notorious_B.I.G.-Ready_To_Die__The_O.G._Edition_-_Bootleg_-2008

No.   Time    Track

01. 03:08 Intro (Original Version With Uncleared Samples)
02. 03:50 Things Done Changed (Original Version)
03. 04:58 Gimme The Loot (Never Before Heard Uncensored Version)
04. 03:20 Machine Gun Funk (DJ Premier's Version)
05. 03:37 Warning (Original Version)
06. 03:45 Ready To Die (Original Version With Different Beat)
07. 04:53 One More Chance (Original Version With Uncleared Sample)
08. 01:29 fu*k Me (Interlude)
09. 03:52 The What (feat. Method Man) (Original Version With Unheard Lyrics)
10. 04:35 Juicy (Pete Rock's Version)
11. 05:13 Everyday Struggle (Original Demo Mix)
12. 03:38 Me & My bi*ch (Original Version With Different Beat)
13. 05:37 Respect (Original Extended Edition)
14. 03:23 Friend Of Mine (Original Demo Version)
15. 03:34 Whatchu Want (Unreleased Original Version)
16. 02:51 Suicidal Thoughts (Pete Rock's Version)
17. 04:57 Come On (feat. Sadat X) (Unreleased Original Version)
18. 01:10 Who Shot Ya? (Original Demo Mix)
19. 03:24 For The Macs & Dons (Unreleased Track)
20. 01:13 Pepsi Freestyle (Unreleased Track)
21. 03:53 Biggie Got The Hype sh*t (Unreleased 1991 Demo Track)

http://rapidshare.com/files/133784157/DJ_Semi_And_The_Notorious_B.I.G.-Ready_To_Die__The_O.G._Edition_-_Bootleg_-2008-Xplode.rar

Sunday, August 10, 2008

'Dark Knight' tops weekend once again














Bruce Wayne made like Bruce Jenner this weekend, as Batman took home the boxoffice gold yet again.

Sony's stoner comedy "Pineapple Express" couldn't cop the session's top berth, despite a heady $40.5 million in estimated domestic grosses since bowing Wednesday. Midweek binging sapped its Friday-Sunday strength, and the Seth Rogen-James Franco starrer had to settle for a silver medal with $22.4 million over a weekend seemingly influenced by Olympics telecasts.

The R-rated laffer's lighter-than-expected weekend tally allowed Warner Bros.' "The Dark Knight" to top domestic rankings for an incredible fourth straight frame, with the Batman sequel fetching another $26 million to pump cume to $441.5 million.

Third place on the weekend went to Universal's three-quel adventure pic "The Mummy: Tomb of the Dragon Emperor," which dropped a big 60% from opening grosses to register $16.1 million over its sophomore session and a 10-day cume of $70.7 million. Warners' female-skewing sequel "Sisterhood of the Traveling Pants 2" was fourth with $10.8 million in Friday-Sunday coin and $19.7 million since bowing Wednesday-- another front-loaded opening, suggesting some patrons hit theaters early in advance of the weekend's Olympics start.

A second frame for Disney's "Swing Vote" saw the political comedy drop 50%, to $3.1 million in ninth place with a $12 million cume.

Industrywide, the weekend's $119 million in collective grosses represented a 23% decline from the same session a year earlier, data service Nielsen EDI said.

The seasonal boxoffice is running even with summer 2007, at $3.59 billion. Year to date, 2008 is 1% off from the same portion of last year, at $6.26 billion.

In a limited bow this weekend, Freestyle Releasing popped open the period wine tale "Bottle Shock" in 48 locations to ring up $294,864, or a pleasing $6,143 per venue, with a cume of $365,376 since uncorking Wednesday. "Bottle" spills in a total 150 sites on Friday.

Also, the Samuel Goldwyn/IDP-distributed "Elegy" -- Lakeshore Entertainment's adaptation of a Phillip Roth novel, starring Ben Kingsley and Penelope Cruz -- unspooled in six theaters in New York, Los Angeles, San Francisco and Seattle to gross $102,441. That represented an impressive $17,074 per venue, with the pic set to expand to top-25 markets in two weeks.

Palm Pictures' music documentary "Patti Smith: Dream of Life" played in a single New York location to gross $8,080 this weekend and $14,228 since a Wednesday bow.

Elsewhere in the specialty market, Miramax's period drama "Brideshead Revisited" added 160 playdates for a total 349 and grossed $1.1 million, or an acceptable $3,036 per engagement, with a $3.3 million cume.

Paramount Vantage's doc "American Teen" added 37 locations for a total 76 and grossed $137,337, or a thin $1,807 per site, with a cume of $465,496.

And Sony Pictures Classics drama "Frozen River" held in seven theaters to gross $56,561, or a solid $8,080 per venue, with a cume of $169,054.

"Dark Knight" fell just 39% from its previous weekend tally over the latest frame, a somewhat smaller-than-expected drop. But Warners execs said there's still little cause for speculating over whether the Batman pic can overtake "Titanic" -- a $600.1 million grosser in 1997-1998.

"I don't know how long we'll be able to sustain the gross," Warners domestic distribution president Dan Fellman said. " In the fall, I do think we'll have a lot of interest, but we've already taken so much out of the marketplace. We'll cross the $500 million bridge around Labor Day and see where it goes from there."

"Dark Knight" blew passed the $437 million performance of 2004's "Shrek II" this weekend to become the third-best domestic grosser ever, behind 1977's "Star Wars" ($461 million).

The Batman pic's latest weekend tally included $3.2 million in grosses from Imax auditoriums, with the giant-screen exhibitor's cume on "Dark Knight" hitting $31 million.

The Christian Bale starrer's four-peat atop domestic rankings is the first such feat in five years, EDI noted. New Line's 2003 action fantasy "The Lord of the Rings: The Return of the King" was the last film to put together a similar string of No. 1 weekends.

Directed by David Gordon Green ("Snow Angels"), "Pineapple" drew audiences comprised 58% of males with the majority of its moviegoers under age 25. Sony execs were pleased to hit the high end of their five-day expectations, regardless of when the loot rolled in.

"You put all of the numbers together and say 'This is great,' " Sony distribution president Rory Bruer enthused.

"Pineapple" was produced for an estimated $27 million.

The first "Sisterhood" pic opened in June 2005 with $9.8 million and grossed $39.1 million overall domestically, but its ensemble cast has grown in stature since then. Reprising their "Sisterhood" roles were America Ferrera, Amber Tamblyn, Blake Lively and Alexis Bledel.

"We're off to a very good start," Warners' Fellman said.

So good, that he acknowledged the possibility of a third "Sisterhood" pic.

"It's a good question, but we need to let the picture play out a little more," the Warners exec said.

"Sisterhood 2" drew almost all gals and lots of teens, with audiences comprised 90% of females and 35% by patrons under age 18.

Co-financed by Alcon Entertainment --which wholly funded the first "Sisterhood"-- the sequel was directed by Sanna Hamri ("Men in Trees"). The "Sisterhood" films are based on a book series by Ann Brashares.

Producer Debra Martin Chase said she was "thrilled" with the opening grosses for "Sisterhood 2" but suggesed that Friday's tally in particular was undermined by the public's preoccupation with the opening ceremonies of the Olympics.

"It was the biggest TV event ever, so everybody was down Friday night, uniformly," Chase said.

Looking ahead, next weekend will be a busy boxoffice session.

The early candidate to win the frame will follow a recent August trend and bow on Wednesday to maximize late-summer playtime. "Tropic Thunder" -- an R-rated comedy from DreamWorks/Paramount starring Ben Stiller, Jack Black and Robert Downey Jr. -- has been heavily promoted. But it will bear watching to see how its prospective audience overlaps with that of "Pineapple Express."

Three other wide openers are set to hit the market Friday: Fox horror pic "Mirrors," Warners' animated feature "Star Wars: The Clone Wars" and Woody Allen's "Vicky Cristina Barcelona," from MGM and the Weinstein Co.